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Literature
Challenge
Challenge
They say a place exists for those who are lost. Perhaps it exists, and maybe it really doesn't. But I know I have caught a glimpse of something that could be that place. It hovers just between waking consciousness and sleep, somewhere that isn't touched by everyday life. And at the same time that place is subtly affected by that life.
It is a garden, a walled city, a cradle of life high in the mountain peaks. Four towering sentinels of stone topped with ice that could cut open the sky protect this place. Sunlight and starlight play on the ice, creating a mercurial rainbow. In the center of the hollow basin is a walled cit
Literature
Children of Destiny
There was the time of the Mother Goddess and the ancient oak of knowledge when the gods emerged forth from the rivers and the trees that were their homes.
Once the race beloved of Danu, the Ever-Living Ones, walked on the earth, bringing forth the gifts of the great cities of knowledge. They came from the North of the World on ships from the mist and came to the land they called Eire.
They came with magic and thus with magic, they were considered to be gods themselves. They came to rule over the land that they called their home, the Island of Destiny.
Their arrival and subsequent rule of the land did not go unchallenged for their deadly en
Literature
Patchwork
Louise breathed a sigh of relief as the countryside gave way to city outskirts after two hours stuck in the car with Mother, who was adamant she couldn't concentrate on the road when the radio was on.
"Now I want you to take little Lisa and play outside as soon as we get there," said Mother. Strange how she could talk while driving but not listen. "I don't want her within earshot when I sit her parents down."
"Sure, Mum."
Lisa's parents were just getting started on what was sure to be an ugly divorce, and Mother being Mother just had to get involved and make things worse. She was right though, at seven years old 'little Lisa' was probably
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I started this a long time ago, but I keep coming back to it. Maybe posting chapter one will get me into the mindset for continuing chapter two. This sort of thing seems to be "in" right now, so maybe if I can get it into words I could actually go with the current instead of randomly against it. When I was fussing over getting this chapter written I was given the rather frank advice that a friend of mine would read anything titled "Veni, Vidi, Meow?" and I had to admit there's a certain ring to it. So here's chapter one, hopefully with chapter two coming soon.
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Hi, I'm here to critique this piece for CRITmas! First, the disclaimers: 1) this critique is only my opinion, which you're free to heed or not as you like; 2) the critique will be more negative than positive, but only because it will naturally touch on things I like about the piece but more extensively discuss the things I don't, 3) please don't be upset about the stars--I'm very stingy with them, as I think a work that is all around solidly done and enjoyable to read is a 3, and 4) I'm exceptionally long winded, so this will be unnecessarily long.
Since it's more lengthy, I'll overlook the entire line-by-line in favor of larger issues (though I might throw a few minor details in, too, because I'm a nitty-gritty sort of guy).
I tried a few times to describe my thoughts on the form that this chapter takes, and I think the best is that it seems like the before-credits-teaser for a TV show starting a parapsychologist, then the bit after the credits to the first commercial. It almost seems as though you're approaching it from the same perspective. I'm not sure if that's a good thing or a bad thing, but that's certainly the sensation that I get.
You asked me to speculate on future chapters: Maia is some kind of psychic, connected to her cat, possibly with the necessary telekinetic powers to kill a man in a bloody fashion. Whatever secret organization recruited/trained/created her wants her out of the way, and will sabotage Lindsay's case to free Maia, possibly thrusting them both back into danger, while Lindsay wrestles with her assumptions about science and reality when faced with evidence of psychic abilities. Cats are somehow relevant as familiars, psychic activators, or places to store your psyche, or maybe they're just always around because people like cats. If it's necessary for the story to have a romantic element, Lindsay and Grant bond as the secret organization's attack comes while she's talking to him and they end up saving each others' lives repeatedly while escaping, from which kissing and a fade-to-black is inevitable. Lindsay is going to get "adopted" by Trouble the Cat, who is somehow caught up in all this.
You also asked about first impressions. This will be a detective story with paranormal elements. A conspiracy of some kind will be involved. Maia is in some way posthuman. Lindsay is sort of a tool, but her character will soften and improve over the course of the tale. Grant is largely irrelevant to the story. Cats are very important to the story.
Comments on the title (mentioned in your artist's comment): I think the title is an acceptable hook (it made me smile a moment), but it doesn't suggest much about the story other than an overabundance of cats. It is decidedly more lighthearted a title than either the teaser or the first chapter, which is odd. I'm not sure that on balance the title is good for your purposes here.
I don't think that the teaser is really a good addition. The removal in time, the disconnect of the major character there...it seems like a shallow way to create a hook when you could do so with strong writing right from the start of the actual chapter. It's a genre convention, I know, but given how short it is by comparison, only a handful of paragraphs, I just don't think it earns its place.
Some nitty-gritty things: I'd cut all ellipses, because they look weak. The worked describes Maia as "sweet" and "an angel" but she doesn't behave that way at all. She's not rude, of course, but she's not sweet. Lindsay "smirk"ing about the solid advice she was handed is a really terribly negative characterization--I'd replace that word entirely. She's also easily annoyed, put on guard, and uneased by the conversation, even though she's a trained professional and was prepared to talk to a paranoid schizophrenic. That doesn't compute. Maia's extreme intelligence and imperturbable exterior are also a bit off-putting to the reader; she seems like a perfect character, not someone you can empathize with and form opinions about.
All in all, this is a solid chapter, even sidestepping its genre conventions. There are no systemic errors or serious technical flaws, and the writing voice is acceptably strong. There's nothing "wrong" with the piece, but there's also not a lot too it. If I were reading this in novel form, I'd probably continue, but if time was pressing, I'd be able to put it down.
Hopefully this helps. Thanks for sharing your writing, and have a great day!